Watch the Stunning Digital Cinema Trailer of UFO: The Epic Alien Action Film
You may have noticed that the trailers for the Super Mario Bros. movie, along with posts and references have been removed. This is because of a Digital Millennium Copyright Act notification that Universal sent Google Ad Sense. Getting a DMCA notice is nothing new, and I have counter claimed those successfully in the past. The issue was always related to the trailer being mistaken for a download of the actual movie. And those takedown notifications were always focused on search results, or the actual files themselves. This DMCA was directed to the Ad serving, which allowed the content to remain, but no ads to be served. This is hugely concerning. If this is they way that the copyright holders move forward, then there will be no ad revenue and likely no website unless another model can be worked out.
That is why this website is here. It is here to give you movie trailers that are made for optimal playback in your home cinema. I go to great lengths to preserve the quality of the master material in a format that is compatible on a wide range of devices. If this is important to you, please disable your ad blocker, check out some Air Jordans on Amazon, or order a custom trailer from The Digital Theater Shop, or if you want you can make a donation to cover the costs of keeping The Digital Theater up and running. Your support is appreciated.
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Digital Cinema Initiatives, LLC (DCI) was created in March 2002, and is a joint venture of Disney, Paramount, Sony Pictures Entertainment, Universal and Warner Bros. Studios. DCI's primary purpose is to establish and document voluntary specifications for an open architecture for digital cinema that ensures a uniform and high level of technical performance, reliability and quality control.
Jim was known and beloved throughout the entertainment industry as a d-cinema pioneer and ambassador. DCI is forever grateful to Jim for his invaluable contributions to its organization and to the digital cinema community.
Digital Cinema Initiatives, LLC, (DCI) was created in March 2002, and is a joint venture of Disney, Fox, Paramount, Sony Pictures, Universal and Warner Bros. The primary purpose of DCI is to establish and document specifications for an open architecture for digital cinema that ensures a uniform and high level of technical performance, reliability and quality. See www.dcimovies.com for more information.
But the real impact was seen online. StarWars.com offered a free download of the trailer in Real Video, QuickTime and AVI formats. After a decade and a half of anticipation since Return of the Jedi, the world went crazy for the first glimpse of the new Star Wars adventures.
A second trailer was posted online on 11 March 1999. Longer and better quality, the two-and-a-half minute video was posted in Apple's QuickTime digital video format. According to Jonathan Bowen's Anticipation: The Real Life Story Of Star Wars: Episode I, this was a major coup for Apple over rival formats. Indeed, QuickTime itself was downloaded 600,000 times just on the day the second trailer went live.
In the first five days, it was downloaded 3.5 million times, soaring to 6.4 million downloads within three weeks. Steve Jobs himself described the second trailer as "the biggest Internet download event in history".
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Qube Cinema is committed to creating a seamless world of Digital Cinema with products that are innovative, powerful, reliable and cost-effective. Qube Cinema is a company with a passion for cinema and a thorough understanding of film, video, audio and computer technology along with vast experience in the production, post-production and exhibition industries - a unique combination of expertise that has helped in the development of the company's digital cinema technology.
Digital Cinema Nepal (DCN) was established by Nepali Cinema Industry leaders in 2007 to facilitate the distribution of cinema content to theaters across Nepal. By distributing content in the digital format, DCN has made cinema entertainment more accessible to a larger section of the population, decreased cost for its filmmaker and theater partners, and introduced consistently high quality movie going experience across Nepal.